rmc28: Rachel standing in front of the entrance to the London Eye pier (Default)
Priority booking for Hamilton in London went on sale at noon today. I was on the priority list, I got all the information last Thursday (including the really interesting stuff about how they are doing "ticketless booking" to combat ticket resales) and did some careful thinking about how much I wanted to spend and on what combination of tickets. The booking period just encompassed my birthday next year, so I decided to go for a Saturday matinee as close as possible to my birthday (because what better way to celebrate staying alive?).

At the weekend I set up a ticketmaster account, and added my payment details, this morning I confirmed I could sign in from work, was able to navigate to the performance I wanted and see how the ticket options would go, but not to order until noon, and waited. I hit reload a few minutes before noon, and got the Ticketmaster "you are in a queue" page, which thankfully cleared not long after I'd tweeted:



For speed purposes, I didn't try to choose seats but just asked for Best Tickets, and am delighted to have got row C stalls!  I think I benefited from being near the end of the booking period, and having as much as possible pre-filled.  Now I just need to wait till next June ....


rmc28: Rachel standing in front of the entrance to the London Eye pier (Default)
I went to see this a fortnight ago in London. The short version: I really, really loved it; the dancing and staging are both amazing; the music has been taking over my brain nearly as much as a certain other musical by Lin-Manuel Miranda; I will definitely be going to see it again in the next few months. (If you want to come see it with me, let me know; it's taking bookings until 8th January)

long version, lots of enthusiastic babble )

rmc28: Rachel standing in front of the entrance to the London Eye pier (Default)
Have a trio of musical videos on a Lin-Manuel Miranda theme:

"Alexander Hamilton" (opening track to the musical Hamilton) in American Sign Language: absolutely riveting, brilliant use of rhythm, I accidentally fell down a rabbithole of ASL-signed Hamilton tracks of varying skill and production quality after this.  If only I understood ASL, or even BSL (funnily enough searching for BSL-signed Hamilton stuff gets me nowhere, I don't think there's a big enough fanbase here yet). 

"What the Heck I Gotta Do" - opening track to 21 Chump Street: a 14-minute musical about an undercover drugs officer and the high school student who fell in love with her.  The full video used to be on youtube and vimeo but I failed to find it again; also the cast album is available from the usual digital marketplaces.  It's ridiculously earwormy,, which means I find myself singing songs ALL DAY LONG that remind me how much I disagree with the War on Drugs, and I'm Not Doing Politics for at least another year, damnit.

"Usnavi's KX rap" - a promotional video for In The Heights at the King's Cross Theatre, which I saw last Saturday and will write more about when this dratted essay is done.  (Short version: I really, really liked it, and that video gives you something of a feel for it.)

rmc28: Rachel standing in front of the entrance to the London Eye pier (Default)
This was inspired by a tweet from [personal profile] hollymath about singing at the next Glee Club, and whether there were "enough" LibDem Hamilton fans to include songs from it.  Despite having no idea yet about when I shall next get to Glee Club[1], I found myself pondering the question every time I listen to the cast recording[2].

Glee Club is a long-standing feature of LibDem (and previously Liberal) Party Conferences: late on the final evening people gather and sing for a good few hours, aided by the regularly-updated Liberator Songbook[3], and possibly also by alcohol.  I'd group the songs sung into three rough categories:
  1. Contemporary political songs from assorted points in history, sung pretty much straight (e.g. The Land, We Shall Overcome)
  2. Filks on well-known songs which comment on specific political events/arguments/personalities - there's usually at least one or two new ones of these each year, and the best keep on being included each year (e.g. The Lib/Lab Lie, Letterboxes, 12 Days of Merger/Coalition)
  3. Songs sung for the sheer joy of them (e.g. the various regional songs, anything performed by Pauline P)
The sung-through nature of Hamilton means most of the songs depend strongly on context, and/or have sung or spoken narration & dialogue embedded within.  This makes the cast recording delightfully complete, but does make it harder to pick out songs that work in isolation.  Some of my favourites are also so technically challenging I'd not want to try them in a Glee Club setting, e.g. Guns and Ships or Non-Stop.

Category-1 songs:
Cabinet Battle #1 is explicitly political, though for Glee Club you'd need a confident performer to lead each section, and I think you'd have stop it at "I'll show you where the shoe fits" for it to work as a one-off.

The Room Where It Happens is all about power and who takes decisions and how (there's a whole lot of resonances for coalition e.g. "no one really knows how the parties get to yes / the pieces that are sacrificed in every game of chess"); for Glee Club I'd start it at "Two Virginians and an immigrant walk into a room" and cut the opening dialogue between Burr and Hamilton.

Category-3 songs:
The Story of Tonight is a very feel-good little song about friendship and common cause, though not explicitly political

Hurricane in isolation is beautiful, and has a certain appeal to anyone who's written leaflet after leaflet attempting to persuade the public to vote for them.


You'll notice I've included nothing in category-2 - I think Hamilton is novel and excitingly political all by itself; maybe when it's old hat I'll be ready to think about filking some of it for political commentary, but that isn't this year.  Also, I really love My Shot but it's really a bit long and complicated for a group mostly new to it; I think Wait For It is beautiful but the central attitude of "I'd rather wait for things to be explained/improved than do anything active about it" doesn't feel very LibDem.

If I had to pick just one, then I'd pick The Room Where It Happens.   Though I confess I'd love to hear Pauline singing Burn.




[1] September is too far away for me to predict my state of recovery, but not so far away that I can handwave it as "surely I'll be done by then", as I have for e.g. Helsinki 2017.  Also, politics really is off my priority list while I focus on a) recovery b) family c) work d) study so it's hard to justify the time/expense of Conference even when I am recovered.

[2] Yes, that's still pretty-much daily, yes it's been nearly three months, when normally I get over this repeat-listening phase in a week or two

[3] When I helped my mother move house a few years ago, I unpacked her collection of Songbooks, and spent a happy hour or two reading through them.  I estimate it as at least 2/3 complete and has a lot of low numbers.  The selection of what songs are included each year is its own little commentary on the political context.  One day I want to write that up (or to read someone else doing so ...)



rmc28: Rachel standing in front of the entrance to the London Eye pier (Default)
I managed to take N to nursery by bike 4 out of 5 days this week. On Friday, we were running later than usual, and I had a nutrition course to get to at the Maggie's Wallace centre at the hospital at 10. There was no way I would get there on time by bus, so I was slightly courageous and cycled it. I went very slowly when compared to Before Cancer, and got very wet but I had time on arrival to change clothes and tweet a humblebrag before the course started.

I got home again in the afternoon without major incident, though I was very tired, and I spent a good part of Saturday afternoon in bed resting. This left me in good shape to cycle up to Girton for Matthew's singstar party which was most excellent fun. Cycling home about 1am was rather lovely - I pointed the bike homeward and didn't rush, and it was well above freezing so I didn't even need gloves.

The only downside was that the cycle ride woke me back up without wearing me out enough to sleep, so I accidentally started looking up Hamilton videos on YouTube following [livejournal.com profile] siderea's very helpful review explaining what all the fuss is about. The official cast recording isn't available on YouTube from the UK (sigh) but enough unofficial videos were available to convince me to buy the cast recording. I got as far as The Room Where It Happens before turning it off so I might actually sleep. (Actually, for other UK people, the video of Lin-Manuel Miranda performing the opening song at the White House in 2009 is available and that pretty nearly sold me all by itself.)


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